The Deep Sweep: High Altitude Signal Research by The Critical Engineering Working Group (Julian Oliver, Bengt Sjölen, Danja Vasiliev) is an aerospace probe scanning the otherwise out-of-reach signal space between land and stratosphere, with special interest placed in UAV/drone to satellite communication.
Taking the form of a high-altitude weather balloon, tiny embedded computer and RF equipment, The Deep Sweep project is being developed to function as a low-cost, aerial signal-intelligence (SIGINT) platform. Intended for assembly and deployment by public, it enables surveying and studying the vast and often secretive world of signal in our skies. Two launches have been performed so far, from sites in Germany, landing in Poland and Belarus respectively.
Turbulence.org Commission: text_ocean by Zannah Marsh [Optimized for Google Chrome]:
text_ocean is an experiment in random access reading and text visualization, using Herman Melville’s notoriously impenetrable whalefishery epic Moby Dick as source material. Selections of the text are blown apart and become a dynamic sea of words, animated according to grammatical function. The user “reads” the text by ‘hooking’ and releasing words and, in the process, disconnects them from their original lines. Thus Moby Dick is slowly, randomly rewritten by the user, word by word, as she reads.
Zannah Marsh is a Brooklyn-based artist, designer, educator, and programmer with an interest in narrative data and collaborative storytelling. She has taught multimedia art and design at New York University, the New School, and in the City University of New York system. Zannah was a resident researcher at NYU’s Interactive Telecommunications Program, and she’s interned with the Creative Systems Group at Microsoft Research and with Area/Code Games in New York City. She also worked as an exhibit developer at the Museum of Science in Boston, producing internationally-traveling interactive exhibits. She has a MPS from NYU’s Interactive Telecommunications Program (2009), and a BFA from the School of the Museum of Fine Arts in Boston (2000).
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